Into this wild abyss, The womb of nature and perhaps her grave, Of neither sea, nor shore, nor air, nor fire, But all these in their pregnant causes mixed Confusedly, and which thus must ever fight, Unless the almighty maker them ordain His dark materials to create more worlds, Into this wild abyss the wary fiend Stood on the brink of hell and looked a while, Pondering his voyage...
—John Milton, Paradise Lost, Book II The Golden Compass forms the first part of a story in three volumes. The first volume is set in a universe like ours, but different in many ways. The second volume is set partly in the universe we know. The third volume will move between the universes.
The morning comes, the night decays, the watchmen leave their stations; The grave is burst, the spices shed, the linen wrapped up; The bones of death, the cov'ring clay, the sinews shrunk & dry'd Reviving shake, inspiring move, breathing, awakening, Spring like redeemed captives when their bonds & bars are burst.
Let the slave grinding at the mill run out into the field, Let him look up into the heavens & laugh in the bright air; Let the inchained soul, shut up in darkness and in sighing, Whose face has never seen a smile in thirty weary years, Rise and look out; his chains are loose, his dungeon doors are open; And let his wife and children return from the oppressor's scourge.
They look behind at every step & believe it is a dream, Singing: The Sun has left his blackness & has found a fresher morning, And the fair Moon rejoices in the clear & cloudless night; For Empire is no more, and now the Lion & Wolf shall cease.
-from America: A Prophecy by William Blake O stars, isn't it from you that the lover's desire for the face of his beloved arises? Doesn't his secret insight into her pure features come from the pure constellations?
-from The Third Elegy by Rainer Maria Rilke Fine vapors escape from whatever is doing the living.
The night is cold and delicate and full of angels Pounding down the living. The factories are all lit up, The chime goes unheard.
We are together at last, though far apart.
-from The Ecclesiast by John Ashbery
This brief and poignant novel from Germany explores existential questions as its 46-year-old narrator reflects on broken relationships and other failures, and struggles to come to terms with life.
The Shoe Tester of Frankfurt by Wilhelm Genazino, 2004 recipient of the Georg-Büchner-Preis, Germanys highest literary honor, is finally available to English-speaking readers in a pitch-perfect translation by Philip Boehm.
Employed by a high-end shoe manufacturer to test new products, the narrator spends his days wandering through his native city, encountering faces from his past (primarily female) and experiencing anew the many manifestations of the mystery of life. In the grand tradition of literary flaneurs, he takes note of his surroundings, from the significant to the mundane, and assembles them into a sort of mental collage that is at once self-portrait and cityscape.
Most remarkable in Genazinos work is the humor with which he invests this melancholic character. Though at times he fears that he teeters on the brink of insanity, he good-naturedly pursues the strange twists of fate that land him variously behind a table at the flea market, in a newspaper office, by the banks of a flooded river, or in a friends bed. As Peter von Matt wrote in Der Spiegel, Indeed, there is hardly a subtler humorist among todays writers than Genazino.
A just-so story, also called the ad hoc fallacy, is a term used in academic anthropology, biological sciences, and social sciences. It describes an unverifiable and unfalsifiable narrative explanation for a cultural practice or a biological trait or behavior of humans or other animals. The use of the term is an implicit criticism that reminds the hearer of the essentially fictional and unprovable nature of such an explanation. Such tales are common in folklore and mythology (where they are known as etiological myths)
《远古传奇》是吉卜林创作的儿童作品中最有名的故事集之一。在吉卜林所有的著作当中,他自己最喜欢的就是这本《远古传奇》。每一个故事都称得上是吉卜林的代表作。他对动物的热爱仿佛与生俱来,并从中获得巨大灵感。本书所收集的大象的孩子、花豹身上的斑点是怎么长出来的、独来独往的猫和其他寓言故事最初是吉卜林讲给他孩子的女护理员听的。前者讲得津津有味,后者听得如痴如醉。这些故事按照主题和描述的环境,从动物讲到字母的起源,从史前山洞讲到非洲热带丛林。本书以离奇而丰富的想象,细腻而生动的描写,讲述着很久很久以前人类与动物的种种变故。
Since childhood, Sabriel has lived outside the walls of the Old Kingdom, away from the power of Free Magic, and away from the Dead who refuse to stay dead. But now her father, the Mage Abhorson, is missing, and Sabriel must cross into that world to find him. With Mogget, whose feline form hides a powerful, perhaps malevolent spirit, and Touchstone, a young Charter Mage, Sabriel travels deep into the Old Kingdom. There she confronts an evil that threatens much more than her life'and comes face to face with her own hidden destiny. . . Garth Nix's first young adult novel, Sabriel was recently nominated for the Aurealis Award for Excellence in Science Fiction in Australia.
The Tale of Peter Rabbit is the first in the series of children's books written and illustrated by Beatrix Potter, and is perhaps her best-known work. The book was written for private amusement, but publication was urged by Potter's friends.
The Tale of Peter Rabbit has sold more than 40 million copies worldwide.
This book contains early discourses in which Osho examines one of man’s greatest taboos: death. Exposing the fallacy behind the notion that death is a calamity, Osho also throws light on the paradoxical relationship between life and death. In addition, the reader is lead through Osho’s specially devised meditation related to the experience of death, techniques to increase awareness and to recall past lives.
John Donne (1572-1631) was the most outstanding of the English Metaphysical Poets and a churchman famous for his spellbinding sermons.
Donne's poetry embraces a wide range of secular and religious subjects. He wrote cynical verse about inconstancy, poems about true love, Neoplatonic lyrics on the mystical union of lovers' souls and bodies and brilliant satires and hymns depicting his own spiritual struggles. The two Anniversaries - An Anatomy of the World (1611) and Of the Progress of the Soul (1612)--are elegies for 15-year-old Elizabeth Drury.
Whatever the subject, Donne's poems reveal the same characteristics that typified the work of the metaphysical poets: dazzling wordplay, often explicitly sexual; paradox; subtle argumentation; surprising contrasts; intricate psychological analysis; and striking imagery selected from nontraditional areas such as law, physiology, scholastic philosophy, and mathematics.
Obsessed with the idea of death, Donne preached what was called his own funeral sermon, Death's Duel just a few weeks before he died in London on March 31, 1631.
Jane Eyre is a first-person narrative of the title character, a small, plain-faced, intelligent and honest English orphan. The novel goes through five distinct stages — Jane's childhood at Gateshead, where she is abused by her aunt and cousins; her education at Lowood Academy, where she acquires friends and role models but also suffers privations; her time as the governess of Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family at Marsh's End (or Moor House) and Morton, where her cold clergyman-cousin St John Rivers proposes to her; and her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister Gothic elements.
Jane Eyre is divided into 38 chapters; most editions are at least 400 pages long (although the preface and introduction on certain copies are liable to take up another 100). The original was published in three volumes — Volume One (comprising chapters one to fifteen), Volume Two (sixteen to 26) and Volume Three (27 to 38).
《庄子》十一篇英译
译者:林语堂
Table:
A Happy Excursion
Levelling All Things
Preservation of Life
This Human World
Deformities
The Great Supreme
Joined Toes
Horses' Hooves
Opening Trunks
On Tolerance
Autumn Floods
Translator's Notes
Walden (also known as Life in the Woods) by Henry David Thoreau is one of the best-known non-fiction books written by an American. Published in 1854, it details Thoreau's life for two years and two months in second-growth forest around the shores of Walden Pond, not far from his friends and family in Concord, Massachusetts. Walden was written so that the stay appears to be a year, with expressed seasonal divisions. Thoreau called it an experiment in simple living.
Walden is neither a novel nor a true autobiography, but a social critique of the Western World, with each chapter heralding some aspect of humanity that needed to be either renounced or praised.
Some poems of Carson McCullers
Four mothers, four daughters, four families whose histories shift with the four winds depending on who's saying the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. To despair was to wish back for something already lost. Or to prolong what was already unbearable. Forty years later the stories and history continue.
With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.
At the beginning of Amy Tan's fourth novel, two packets of papers written in Chinese calligraphy fall into the hands of Ruth Young. One bundle is titled Things I Know Are True and the other, Things I Must Not Forget. The author? That would be the protagonist's mother, LuLing, who has been diagnosed with Alzheimer's disease. In these documents the elderly matriarch, born in China in 1916, has set down a record of her birth and family history, determined to keep the facts from vanishing as her mind deteriorates.
A San Francisco career woman who makes her living by ghostwriting self-help books, Ruth has little idea of her mother's past or true identity. What's more, their relationship has tended to be an angry one. Still, Ruth recognizes the onset of LuLing's decline--along with her own remorse over past rancor--and hires a translator to decipher the packets. She also resolves to ask her mother to tell her about her life. For once, she would ask. She would listen. She would sit down and not be in a hurry or have anything else to do.
Framed at either end by Ruth's chapters, the central portion of The Bonesetter's Daughter takes place in China in the remote, mountainous region where anthropologists discovered Peking Man in the 1920s. Here superstition and tradition rule over a succession of tiny villages. And here LuLing grows up under the watchful eye of her hideously scarred nursemaid, Precious Auntie. As she makes clear, it's not an enviable setting:
I noticed the ripe stench of a pig pasture, the pockmarked land dug up by dragon-bone dream-seekers, the holes in the walls, the mud by the wells, the dustiness of the unpaved roads. I saw how all the women we passed, young and old, had the same bland face, sleepy eyes that were mirrors of their sleepy minds.
Nor is rural isolation the worst of it. LuLing's family, a clan of ink makers, believes itself cursed by its connection to a local doctor, who cooks up his potions and remedies from human bones. And indeed, a great deal of bad luck befalls the narrator and her sister GaoLing before they can finally engineer their escape from China. Along the way, familial squabbles erupt around every corner, particularly among mothers, daughters, and sisters. And as she did in her earlier The Joy Luck Club, Amy Tan uses these conflicts to explore the intricate dynamic that exists between first-generation Americans and their immigrant elders. --Victoria Jenkins
This book is the dairy of a French girl who lived in the time of Napoleon Bonaparte. She was a real person. So were others who come into her story. Their names appear in the history books of Europe; but there they are dead people ----- and in Desiree's diary they are alive.
Here we can see, through a woman's eyes, how history was made. She was there. She knew the men and women who made it. She almost married Napoleon himself.
No one really understood him. Not even Desiree. She hated his wars; but she never hated the man. He has no heart, she said. And she was sorry for him, because love and peace had no place in his life. In her own life she found true love, with Jean Bernadotte. But in those days a soldier's wife had little peace, especially if her husband dared to quarrel with Napoleon.
Some people write their diaries every day. Others only write then when something important happens. Desiree's diary is of the second kind. It only covers the most important times in her life.
The first half of her story is told in this book.
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